Feature Articles…

"Artist Finds Look For Bach's Music" ...read full article
Atlanta Journal Constitution

What the press thinks…

"Patterson's visual additions were at once properly subdued and brilliant, elevating music and text into a complete and enveloping sensory experience."
St. John Passion
Atlanta Journal Constitution

"Anne Patterson's radiant costumes and her lustrous set cast a bright glow on a fine production."
The New Yorker

"The tricky transitions ... flow deftly on set designer Anne Patterson's multiple platforms."
Washington Post

"Anne Patterson’s costuming is both apt and blithe..."
Back Stage

"Anne Patterson’s set… was an ingenious solution to the Wheeler Opera
House’s notoriously small and difficult stage."
The Denver Post

"The Atlanta Symphony Orchestra moved into uncharted terrain by adding an inescapable visual component…It’s a fascinating experiment to behold, worth experiencing."
The Atlanta Journal-Constitution

What artists and management think…

" I was knocked out by the visuals."
Stephen Sondheim

"The interplay of musical and visual arts can be a fascinating experience for audiences, but it takes somebody of the talent of Anne Patterson to do it in a way that is enriching, yet sensitive and respectful of both art forms. She has a clear sense of the practical issues involved in bringing design into the concert hall."
Simon Woods
Vice President, Artistic Planning and Operations
The Philadelphia Orchestra

"Anne Patterson’s creativity in creating an environment for live performance is extraordinary. Her perceptive translation of the music into visual elements transforms the concert experience."
Robert Spano

"Anne Patterson achieves an elegance of visual imagery in her designs for orchestral music. It is always clear that her work emerges from a deep sensitivity and understanding of the music and respect for the artists involved in the presentations and for BAM as an institution."
Joseph V. Melillo, Executive Producer, Brooklyn
Academy of Music